Saturday, January 5, 2013

Oat Flour Banana Bread

I'm trying to get into the habit of writing down my recipes so I can transfer them into a little vegan cookbook. This banana bread recipe is soy-free, egg-free, dairy-free, nut-free, and wheat-free.  It is also flax-free to avoid an allergy in my extended family and almond milk-free because my daughter may have an almond allergy. That's a lot of free, but I assure you it is still tasty.



Oat Flour Banana Bread

1/3 cup coconut oil
1/2 cup sugar
2 ripe bananas
2 cups oat flour (or oatmeal run through a food processor until very fine)
1 1/2 tsp baking soda
1/2 tsp baking powder
1/2 cup coconut milk (the beverage kind, not the canned. I used coconut nog that was left over from the holidays)
1 tsp vanilla extract
cinnamon and brown sugar for sprinkling

Preheat oven to 350 degrees. Using a hand-held mixer, cream the coconut oil, sugar, and bananas in a mixing bowl. Mix in the oat flour, baking soda, and baking powder, and then add the coconut milk and vanilla and mix well. Pour batter into an oiled 8 1/2 x 4 1/2 bread pan. Smooth the top of the batter, then sprinkle with a little cinnamon and brown sugar. Bake for 40-50 minutes, or until a toothpick inserted into the center comes out dry.

Tuesday, November 27, 2012

The Broken Laptop

My laptop is broken so I'm going a little crazy. I can only handle hand-writing for short periods of time so I started sketching out cover ideas for the work-in-progress trilogy. I like the minimalist look right now. I hate typing on a tablet, bit that is all I have to post with right now. This is the first time I've posted via mobile device and it's a huge pain.




I also sewed a couple of dresses for my daughter. I'm most amused by this one...


Sunday, November 18, 2012

Snippet Sunday: Mayfly Requiem


Do you still remember that spring we found the nest of baby birds blown down by the wind? They died in our hands, naked, vulnerable, infinitely fragile. I cried for days. Such precious life, created and snuffed out in hardly an instant. When we were children, time ran by too fast, but now we are ancient and every day is a slow crawl toward an indeterminate finish line. Our neighbors, our friends, our lovers have become those baby birds. Their lives are fleeting, but that does not make them any less precious. They are meaningful and beautiful. We used to be, but now I am the living damned and you are a breathing, clouded myth. We have nearly faded from all memory, but here we are, alive and forgotten. I like it better that way. It is quiet, tranquil except for my remorse and the ticking, the constant reminder I have of my servitude. The quiescence gives us the opportunity to be... well, be a little bit human. I wouldn't exchange it for anything at all. Except, of course, the opportunity to undo my final mistake as a Time Child. What have I done? What horrors have I brought upon myself and the world? Dia, I'm just as terrified and bleak as those dying baby birds, and as fleetingly fragile.

Sunday, November 11, 2012

Six-Sentence Sunday



Bethel was universally respected even as his sons were reduced to nightmares suffered by wayward children. It was the same for us everywhere and I never became acclimated to the automatic assumption that I was to be feared. I certainly was a fearful creature, but when you tell your children to stay away from the spindly little boy from the forest, you are working a little too hard at inciting the rage within that spindly little boy. I was just a kid, after all, no more mature or developed than a Drey or a human ten-year-old. I learned early I was something to be feared and those early whispers and rumors have clung to me through the years. People create their own monsters, and it's hard not to become what everyone wants you to be when they push your inner nature to overtake your mind.
- from Sand into Glass, Book 1 of the Emergence Trilogy (Book 6 of the Malora Series)

Wednesday, October 31, 2012

Order and Chaos


I am often asked the intended reading order for my series. Some people choose to read Mayfly Requiem first, but frankly, it can be a little difficult if they haven't read the trilogy first. Lani is a narrator with a lot on his mind and a sometimes-archaic vocabulary. When you've read the trilogy first, it is easier to see how the history and characters fit together in the overall scope of the world. The series is still enjoyable when read out of order (except the trilogy, which wouldn't make sense out of order), but your perception of them may be altered.

None of my books fit neatly into the epic fantasy genre. There are no dragons, vampires, elves, or werewolves, no absolute good or evil. I merge elements of philosophy, dystopia, and superhero fantasy with memoirs, adventures, and hostile takeovers by ambitious leaders. I create my own creatures such as the winged scavenger rychan, the forest guardian ketrow, the jungle-dwelling aerfen, and the civilized and fox-like Tenjeri.

The recommended order of reading is as follows:

1. The Abyssal Night (Echoes of Oblivion #1)
2. Shards of Chaos (Echoes of Oblivion #2)
3. The Shattered Veil (Echoes of Oblivion #3)

The Echoes of Oblivion trilogy is the story of two brothers, one whose ambition may destroy the world and the other who has always been caught in a shadow but still searches for a light. Meanwhile, the Geophorians, a culture of priests with superhero-like powers, is being systematically exterminated because of a culture of fear created by the older brother and his ancestors.

Mayfly Requiem is the prequel to the trilogy and reveals several intersecting characters and historical events (the creation of Ganebra, the Mage Wars, and meetings with younger versions of Lucienus, Tordian, and Faraban). It is the confession of a fallen immortal named Lani, a Time Child sent to Malora along with his twin to act as a sentinel for the Elements. Since this book covers 2,500 years of Lani's history, it can be a bit unwieldy, but it is much more manageable when viewed as a series of short stories, each depicting a different era in Lani's life.

Shadows of Absolution takes place about sixty years after The Shattered Veil. It is the story of a young woman who thinks she has nothing left to live for and how the Time Child Bethel helps her find a purpose. I describe it as a post-apocalyptic epic fantasy adventure and occasional coming-of-age love story. The love story aspect is quite unconventional, but I'll let you discover why on your own.

I have three more books in various stages of writing and planning to follow the first five. They make up a loose trilogy spanning 4,500-5,100 years after the original five books and the first should be out in 2013. Each book is told by a different character in three consecutive generations of post-human Malora, now called Melor. The first is told by the glassmaker Arden, the troubled youngest son of Bethel. The second is told by Tesji, an awkward elemental mage on an adventure while his dreams call for destruction. The third is told by the reclusive light mage Zella as Oblivion begins to wake.

The work-in-progress Emergence trilogy is:

1. Sand into Glass
2. The Crystal Lattice
3. Arrow of Entropy

I'll leave you with that for now. My laptop is in need of repair for a loose power jack so I'm about to be briefly sidelined again.

Tuesday, October 23, 2012

Free to Good Homes

Because this too-warm autumn air is making me a little bit crazy and my readers are awesome, I've decided to run a pair of books as free promos this week. Shadows of Absolution and Mayfly Requiem will both be free to download Wednesday through Friday, October 24-26! So, download them, read them, and leave me a review on Goodreads or Amazon to let me know what you think. I've been neglecting my wordy babies in favor of a teething human baby lately so I could use a favorable kick to get me back on track.


 

Sunday, October 14, 2012

Six-Sentence Sunday

“I turned our father into an anxious hermit, convinced a Thulan to transcend, and physically injured an Element, an Element who still carries a scar on his face as a reminder of me. I reached adulthood on the winds of the raging Marglor before being thrown into the abyss of Lumeinar to be tended by a monster. I wield a pair of black glass blades forged by Aumua himself. Give me ten minutes and I'll go upstairs and retrieve them. Don't harass me, my dear brother. If I can do such damage to immortals, what do you think I can do to a half-Mero, half-Aulor Emergent who has nothing but illusion to defend himself with?”
-Arden Masiona to his brother, Theron, Sand into Glass

An 8-year-old painting from one of my acrylics phases.

I feel like I've been slacking off lately, but perhaps I haven't. My creativity has momentarily spun away from writing and into more tangible media. A couple of lovely crafting projects completed and some reading done and I feel I'm ready to venture back into Malora.