I am going to die here. The rage in my soul has finally defeated my mind and now I'm on trial for a crime I'm not certain I committed. Atalor is a festering pit of a city and it has declared me its most reprehensible victim.
My name is Arden Masiona. Yes, those Masionas, the perpetually magical family headed by the immortal Time Child, Bethel Masiona. I am mundane, however. I'm the only non-mage in a family of extraordinary people and they've never let me forget it. No... I can't acknowledge my heritage anymore. I am no longer part of my own family. Rage has rendered me an exile.
Time wants to claim me, but I am not hers to claim. I am an apprentice of the Desert, a child of eternity, a prisoner of my own soul. I am the Glassmaker, and Atalor is where my story ends.
Sand into Glass is a stand-alone prequel to The Crystal Lattice and falls 6th chronologically in the Malora Octet.
My seventh baby has flown from the nest. Arden Masiona's story unexpectedly became personal for me partway through the first draft, so I'm a little nervous about introducing both him and my psyche to the world. I've always created art as a means of coping with pain, and this book exemplifies that. It took me three years to complete the first draft, but now it's not just a draft, but a completed book. I had a little trouble leaving Arden's headspace when I switched over to writing Zella's story, Arrow of Entropy, and you may see why as you get to know him.
This book isn't a typical epic fantasy. It does take place in a fantasy world, but it ends up being an intimate glimpse into the mind of a very troubled person, who is on trial for a crime he's not sure he committed. If you've read The Crystal Lattice, then you've already met Arden, but in that story he only hinted at the darkness lurking in his own soul. I won't say more, because this is Arden's story to tell, not mine.